Showing posts with label Celtic Cross. Show all posts
Showing posts with label Celtic Cross. Show all posts

Tuesday, July 20, 2010

Guest Host for WFUV, Sunday July 25th

Performing live in the WFUV studio has always been a thrill, but when Liz Noonan, the producer of Ceol na nGael, asked me to come up this Sunday, July 25th, and be their guest host and have Celtic Cross perform live, I was beyond excited! What an honor to be their first guest host and put together the program's play list of all my favorite Irish songs and artists. August 8th, Eileen Ivers will also be hosting the program and hopefully play something live in the studio with her awesome band, Immigrant Soul!

If your house was like mine, WFUV would be blaring from the kitchen radio every Sunday morning as breakfast was being made! My Mom would take it upon herself to give "dance lessons" around the kitchen as one of her favorite songs would be played! I have often wondered how I learned the words of so many Irish songs and it had to be from hearing them every week on Ceol na nGael. I can also remember the first time Celtic Cross was played on the radio. My phone rang off the hook with friends and family calling to let us know we were on. I remember turning up the volume and standing around the radio with my brothers, John and Kenny, listening, as if we had never heard the song before! :)

So this Sunday, July 25th, be sure to keep the tradition alive and tune into 90.7 fm, from 12 noon-4 pm. Celtic Cross will be performing live around 2:00.


WFUV Press Release...

Kathleen Fee and Eileen Ivers Guest Host WFUV's Ceol na nGael

New York, NY-Kathleen Fee and Eileen Ivers will co-host WFUV's Irish music and news show Ceol na nGael this summer, covering for Ireland-bound host Colleen Taylor. As guest hosts, the two celebrated Irish musicians will join host Kerri Gallagher to treat listeners to the songs they like to listen to at home and talk about all their favorite artists. Celtic Cross lead vocalist Kathleen Fee will guest host on Sunday, July 25th, while fiddler Eileen Ivers fills in on Sunday, August 8th. As a special bonus, Celtic Cross will perform live on the July 25th show, as will fiddler Martin Hayes.

"Who better to have guest host than Kathleen and Eileen?" said Ceol na nGaelproducer Liz Noonan. "Their love of Irish music is palpable and I'm looking forward to being turned on to some music I've never heard before."

Ceol na nGael began as the brainchild of Fordham University students Gerry Murphy and Mary McGuire in 1974. The program quickly evolved into a radio haven for New York's Irish music lovers, many of whom regularly dedicate songs to one another and keep abreast of Irish community events through Ceol na nGael's "bulletin boards." Other program highlights include weekly news and sports reports from Ireland.

WFUV is a non-commercial, listener-supported public radio station, licensed to Fordham University for over 60 years. Serving the New York area as well as an international audience on the web, and a leader in contemporary music radio, WFUV is Rock & Roots Radio, offering an eclectic mix of rock, singer-songwriters, blues, world and other music, plus headlines from National Public Radio and local news.

Monday, September 7, 2009

September... back to playin great shows

This summer just flew by as I write this on Labor Day. We all took some time to be with family and friends, and vacations. We also have spent time writing for the next Celtic Cross record... may even preview some of the new materal this fall.

Our Fall calendar features a number of great shows around the tri-state area, so mark your calendars. Here are the highlights...

This Saturday, September 12th... we are playing with our friends The Cousins Moran in New City, NY at Doyler & Dunny's Half Way To St. Patrick's Party. The outdoor show kicks off at 3PM in a great big festival tent. Bring out the family for a Sunday evening of fun. We played this show in March and it was a great afternoon...

Saturday, September 19th we head down the shore to Sea Girt, NJ for The Irish Festival at the Jersey Shore for an early day spot at 11:30 AM! Will be an early start for us for sure... but make a day of it with your parents and kids down the shore. Also appearing are Gael Force, Seanchai, The Bogside Rouges, The Bare Knuckle Boxers, Round the House, The Patty Furlong Ceili band, Teresa Kane, and Sean Hennessy(Lead vocal of Blackwater) as festival MC.

And Sunday, September 20th we are at the Great Irish Fair of New York in Coney Island. We don't get down to Brooklyn near enough to see our friends down there. Our appearance is at 2PM. Also appearing on that day are The Canny Brothers, Jameson's Revenge, and The Screaming Orphans. Check out the Saturday bill too featuring Andy Cooney, Mac Talla Mor, and Unforgettable Fire.

Perhaps the highlight of the month is a great show at Rory Dolan's in Yonkers on Saturday, September 26th with the fabulous Girsa... the best new young trad act in the US. Nothing like a Saturday night on Maclean and we can't wait to collaborate on a few numbers with the talented ladies from Girsa.

Finally, back up to East Durham NY for Gavin's Second Annual Guiness Festival on Saturday October 17th. A great lineup of our friends will appear including Frank Jaklitsch, The Kitty Kelly Band, Padrig Allen & The Whole Shabang, Dermot Henry, The Andy Cooney Band and Jimmy Walsh as MC. Make your reservations now to stay up for a great fall day and evening under Gavin's outdoor heated festival tent.

Check the calendar on our website www.celticcross.com for more details and additional shows as they are added. Make sure to follow us on Twitter and become a fan on Facebook.

Looking forward to seeing you all this fall...

P

Wednesday, November 26, 2008

"Always Believe"

"You have to believe to receive," was all I ever heard when asking about Santa. Christmas Eve was the big night in our house. The fancy china, Waterford crystal and long stemmed red candles would appear on the table, for our special family dinner. After dinner, our house would fill-up with music, friends and family. Inevitably, the dinner table would clear and the cards would come out, for a game of 25.

I have only seen the card game, "25" played in Irish households. Growing up, we learned how to play and it has been a family tradition ever since. It has also been the cause of many an argument, especially between my Dad and Uncles, over "poor card playing!"

For more information on how to play the card game 25, click here.

Christmas Eve would not be complete without a trip to the Bronx. We would load up a car or two and the "Jersey gang" would head into Sam Maguires! I can recall many great Christmas Eves there, singing and dancing the night away. There may have even been a few Santa sightings leaving Sams...or maybe it was an over indulgence in holiday cheer!

All these memories and thoughts were put down on paper as Patrick and I started writing, "Always Believe." It was late September and on a whim, we decided to write a Christmas song. One of our goals was to write the song without saying "Christmas." Once we had the lyrics and a melody, it seemed like the parts just fell into place. Frankie came up with the opening hook and John and Ken played just the right parts to make it sound like Celtic Cross. Within a month, we were in the studio recording.

While in the recording studio, we thought a tin whistle would really add to the song. Ken's 10-year-old son, Kenny Vesey, was more than willing to take a 1/2 day off school to come in and play the tin whistle part for us. He is an amazing talent and was able to record his part in one take. The same week he made is recording debut with Celtic Cross, Kenny was asked to share the stage with Eileen Ivers during her upcoming Christmas concert in Ramsey, NJ, this December. Wow...what a week.


You can hear the new song at CelticCross.com.   Stay tuned for more infomation about how to buy it on iTunes and CD Baby.   

Merry Christmas to you!
Cheers-Kathleen



Monday, August 25, 2008

Shores reviewed on celticmp3s.com...and what a cool review it is!

We really love this one!!

http://www.celticmp3s.com/free/2008/08/review-shores-of-america-by-celtic.shtml

A great review from Catherine Tully... and a great website for celtic music lovers... make sure you check them out.

P

Sunday, July 27, 2008

Where To Hear Cool New Celtic Tunes?

I have to admit my increasing boredom with the endless rehashing of the same old same old Irish music that our parents and their parents listened too... not necessarily done any differently or better. Sure there are splashy new over produced groups and gorgeous new singers busting out their take on Red Is The Rose, but I always hunger for something new... something creative. Personally, the next "new" cover version of the Fields of Athenry may put me over the edge...

Interestingly, this is really not so in the traditional arena, where even the most popular and cherished tunes can be played by a new talented player, and given entirely new life, edge and groove.

I really think that the early versions are usually the more interesting renditions. Recently, on Larry Kirwin's Sirius Celtic Crush radio program, I caught an old Clancy Brothers live recording of The Patriot Game from the early 60s... likely one of the initial recordings of that song. The passion in that track was so intense and palpable, clearly driven from the then current historical events that inspired the song. I suggest that there may not be a singer or group alive who will sing that with the same raw passion and purpose the way they did in the 60s.

Oh but I am sure they will try...

But there is hope... courtesy of Internet and satellite radio. If you long for something new like me, there are a number of regular programs of new, different, or obscure Irish and Celtic music recordings available... often just a click away.

In just the last year or two, I have been turned on to a bunch of new and innovative Celtic/Irish groups... including Green Man, Enter The Haggis, The Elders, Peatbog Fairies and Greenwich Meantime to name a few. There are tons more... there is hope folks. Here are a few ideas...

First, you can download and listen to brief shows called podcasts either on your PC or iPod. There are literally thousands of podcasts available on any topic you can think of, including Celtic music. Podcasts are a timely and fresh way of hearing new groups from across the country and the world. Here are my favorites...


www.celticmusicnews.com
Hosted by Aaron Drake.
Subscribe with iTunes.

www.celticmusicpodcast.com
Hosted by Marc Gunn.
Subscribe with iTunes

www.clevelandcelticpodcast.com
Hosted by Wendy Lee Donahue


You can sometimes even hear Celtic Cross on these podcasts... which we are always grateful.

As I mentioned earlier, for those of you who have Sirius Satellite Radio... don't miss the Celtic Crush program, hosted by our friend Larry Kirwin from Black 47. This program on Saturday mornings and Tuesday evenings always offers a different perspective on interesting Irish and Celtic music.

So... check these spots out and see if you can find something new. Also... make sure to comment about where you find your new music, spread the word!

P

Thursday, July 24, 2008

Celtic Cross on Music Road

We are thrilled to have had our new CD mentioned on a wonderful music blog called Music Road...

Music Road: now playing: Celtic Cross: Shores of America

Check it out, comment, and visit it often!

P

Saturday, May 3, 2008

The Shores of America Story

It’s still in the back of every New Yorker’s mind. We look like and think we have healed, and we really have on many levels, but so much has changed. The world will never be the same. From the banker, the NYFD retiree, to the immigrant cabby, every denizen of Gotham knows where they were, where their family was, what they did that night… 9-11-01. And it hasn’t been the same since that day.

Shores of America, the new Celtic Cross CD takes an uncommon perspective on the tragic attack that deeply impacted the proud Irish-American community in the city its ancestors built from the ground up. From the tragic stories of the victims that left no neighborhood unmarred, the ensuing changes to immigration that strangled the flow of new Irish blood, to the military families that are still making their sacrifice, the Irish in New York wear 9/11 on their sleeves… no matter what their tough exterior might suggest.

The Celtic Cross recording, released in December, chronicles the Irish American kids growing up stories on New York City’s streets. With catchy tunes like First Kiss, telling a love story under the 7 train in the Irish crammed streets of Woodside, and Those Were the Days, a world-wind tour of a “narrowback” or second generation Irish child, Shores of America delivers a colorful view of the immigrant households that are the fabric of so many Irish ghettos around town. All delivered with determined singing and an updated pop rock edge that critics call Irish Americana.

But the piece that sets the tempo is the title track Shores of America. An edgy energetic anthem sung by the sassy lead singer Kathleen Fee makes you sit back and listen, and look for the lyrics page. “We didn’t set out to write a 9-11 song, and we certainly never thought to be political,” says Ms. Fee, “but any way you look at things, it has been the key turning point for so much about Irish culture in the US, and nowhere more deeply felt than in the Irish-American stronghold neighborhoods in New York City.”

Shores of America spins three real life vignettes; each verse is a different chapter in Irish Americana over the last seven years. The first and most poignant grips the listener with the notion of a good looking good natured fireman who died in the tragic World Trade Center attack. Specifically, Ms. Fee writes about NYFD’s Tom Foley, a Pearl River friend of the band. A look at the names of 9/11 victims from the New York Fire Department is like the map of Ireland. The memories of funeral after funeral with bagpipes kept the pain of the terrible attack with us for months and years. It would be hard for a New Yorker not to stop in retrospect when Ms. Fee sings:

Tommy was a friend of mine, had a heart so pure and so kind. His big, blue eyes could make your heart sing; being there for everyone was Tommy’s thing. Did his job that fateful day, when our NY skyline was ablaze…

There is a traditional Irish melancholy sing-song of the same title as the Celtic Cross title track that speaks hauntingly of the hope, promise and desire of the famine impoverished Irish as they longed for freedom in the United States. At the moment of this personal reflection on the death of one of 343 New York’s Bravest, the hopes of the world’s emigrants were put on hold and their view of the Shores of this America are forever changed.

The Irish talked about the Flight of the Earls in the eighties as the best and brightest, and a good portion of the rest of Ireland’s youth renewed the levels of immigration to the US not seen since the fifties. The vibrant inflow created venerable Celtic ghettos in neighborhoods like Maclean Avenue in Yonkers, Katonah and Bainbridge Avenues in the Bronx, and Roosevelt Avenue and Queens Boulevard in Queens. Celtic Cross banjo/mandolin player Frankie McCormick, himself an immigrant from County Armagh in Ireland recalls “We could get a gig seven nights a week with all the bars in the Bronx and Queens, and every night packed to the doors.” But things began to change well before 9-11 with the emergence of the “Celtic Tiger” Irish economy in the late nineties. Job growth in Ireland exploded, stymieing the flow of emigrants and reversing the flow back from the US.

The War on Terror’s dramatic crackdown on immigration laws was the final straw. Shores of America’s second verse speaks of the aftermath from the disaffected immigrant perspective. The days of the packed Bronx bars were over. Ms. Fee sings:

“Flight of the Earls now in reverse, leavin like our fathers first. I’ll be back for a holiday, but across the sea is where I’ll stay. Now I’m leavin here, Shores of America”

The once longed for Shores are now out of reach, and may never be the same.

The ramifications of the attacks are further chronicled by Celtic Cross in the eyes of the military mother in the third verse. The band’s fiddle player, Ken Vesey (brother of Kathleen, and John, the band’s accordionist) talks emotionally about his military cousins, “My Aunt Bridie always has a smile on, but I know she cries every time one of them packs their trunk to head out to the base.” Ken, Kathleen and John have four first cousins who have served in Iraq and Afghanistan over the last few years. Kathleen sings about her Aunt and cousins,

A war to fight that’s what they say, Sent Bridie’s boys away. One by one she kissed goodbye, Off to the desert now, they would fly. She lights her candle, in her window at night, says her prayers to safely end this fight. Bridie’s waiting at her door, when they’ll come home and leave no more.

This final verse brings the 9-11 Irish America story to date with a hopeful prayer for the safe return of her military children (and ours) from the dessert from the perspective of an Irish mother in New York. Something of an end to a story that doesn’t have one yet.

The Celtic Cross record Shores of America weaves a view of Irish New York that is forever changed, yet ever-charming. The music is updated, yet mindful of the great Irish music tradition. The stories are for all of us in New York, and all of our Irish friends and their families.

Monday, April 14, 2008

Kathleen's First Blog...A Little Celtic Cross History!

So this is my first blog, and I figured I should introduce myself and tell you a little about me and the band. My name is Kathleen Fee and I have been singing since I could talk and been with Celtic Cross from the beginning.

My two older brothers, John (accordion) and Kenny (fiddle) are in Celtic Cross, as well as Frankie McCormick (banjo/mandolin), Pat Dineen (bass), Walter Ensor (guitars) and Dave Barckow (drums.) These guys are my best friends and we really have a blast together!!

My Dad, Sean Vesey, comes from Charlestown, Mayo and my Mom, Kathy Ross is from Drumlish, Longford. When I was 8, my family moved back to Ireland and we lived in Dromod, Leitrim. My two brothers, John and Kenny, and I attended Annaduff Primary School, in Leitrim, for 2 years.

During the 2 years that we lived there, we had a difficult time settling into Irish living. When we were in America we were Irish and when we were in Ireland we were American. The kids we went to school with loved to tease us and call us "Narrowback Yankees." Finally, one day on the school playground, my brother John exploded and beat the sh*t out of 3 boys who were tormenting him. Well that was the end of the "Narrowback Yankee" name calling. After that, they just called him the "Incredible Hulk!"

My best childhood memories are of the time we spent in Ireland. My Grandparents lived on farms and although they didn't have much, they did know how to laugh and make the most out of life. When we moved back to the States, they were heartbroken, but we did return every August for a few weeks.

In the song Who I Am, there is a reference to saying good bye to my Grandma. She hated when the Summer was over, and were were leaving. She would always say, "I might never see you again. Sure I might die over the winter." All the while she would be shoving a few pound into our pockets for some "sweets." Every August there she would be, waiting at the gate for us when we returned. Spending that time in Ireland, really solidified the strong Irish connection that John, Ken and I have.

My parents would always say that were were so lucky to have the opportunity to learn an instrument, something they never had. They especially loved to throw that out to us as were were whining about having to practice. I started singing when I was about 5. John has been playing the accordion since he was around 10. Ken has been playing the violin since he was 8 and is also an All-Ireland champion.

When we came back to the States, my brothers and I started playing at small parties and Irish ceilis. Our first real gig was at a bar, across from Van Cortland Park, in the Bronx. I was 16 at the time and we played there every Sunday. Some of our friends would come down and jam with us, and that is eventually how Celtic Cross got started. The song, Those Were The Days is a lot about those times in the Bronx.

So let me tell you a little about my other "brothers," in the band. Walter Ensor is a Rockaway Beach, Queens native. Walter has been an incredible influence on Celtic Cross. He brings with him a vast knowledge and perspective of many types of music, ranging from the Grateful Dead to bluegrass. What I admire most about Walter is his ability to listen to something, particularly something new we are working on, and know exactly what it needs or what it's missing, to make it complete.

Pat Dineen, has also been an intrinsic part of Celtic Cross and was instrumental in writing and creating our new CD. Like ourselves, Pat has Irish immigrant parents from Cork and Monaghan. He grew up in Queens and was also immersed in Irish music from an early age. Pat is great at throwing out new song ideas and getting us all together to write and help finish each other's work. He is constantly writing and pushes the rest of us to continue working on songs and tune ideas.

Frankie McCormick grew up in Northern Ireland, in the county Tyrone. As you can imagine, he has loads and loads of stories of what it was like growing up when the "troubles" were a very real thing. He is an amazing banjo and mandolin player and has competed and won All-Irelands too many times to count. We love to refer to him as the human metronome because his rhythm is always dead on. Frankie has an incredible sense of humor and brings that with him to every gig.

Dave Barckow is another Queens kid and has a broad musical background. Along with being an amazing drummer and singer, he also plays the guitar. Before Celtic Cross, he toured the US with a signed heavy metal band. Dave also knows when to kick things into high gear. He was also incredibly invaluable in the writing of the song Shores of America.

So if you haven't heard our new CD yet, go to our website, www.celticcross.com, where you can listen to the tracks. When we set out to write the CD, we wanted to tell the story of us, which is uniquely Irish American. We really wanted to create something that spoke about our experiences and what it is like to be an Irish American. Of course you're always a little unsure of how something new will be received. There is no better feeling for all of us, than performing our own material and having an audience into it and singing along. My only misgiving is that we did not do this sooner.

I will do a future blog about what inspired each track and some of the inspiration behind the writing. If you have any specific questions for me, or any other member of Celtic Cross, you can email us directly through our website.

Cheers-Kathleen

Friday, April 11, 2008

The root of fun Irish Music... Stockton's Wing

I thought it might make sense to start this blog with where it all began for me in terms of playing really fun Irish Music...

In the 80's (and to be fair the "Carter" part of the 80's... not yet even the Reagan years...), I started playing Celtic music for money in a band, playing a piano accordion. And from what I recall, I rocked with it (although I can barely play a note now).

... and at some festival somewhere... probably up in East Durham, NY, I bought an LP (vinyl baby) from a cool looking band called Stockton's Wing. The record was the now legendary Live (Take One) which featured hot Fleadh Cheoil winning trad players... and a totally hip 80s rhythm bass/drum combo. Stockton's Wing (which is also a place on the New Jersey shore mentioned in the Bruce Sringsteen song Backstreets) built on and polished the hip ceili music from folks like Steeleye Span, Horslips, Moving Hearts... totally giving it a pop funk flare.

My prayers were answered, I put the accordion away, bought myself a Fender Precision... and freed myself from playing boring 1-3-5 march time chord roots for every irish tune that came along. Stockton's Wing bass player Steve Cooney grooved tunes with lines you might hear from disco bands Chic or KC & The Sunshine Band. Slapping and popping was now cool in Irish music. Still is in my books...

For years, you could not get that cool record on CD. I happen to run into a friend last year who had a copied version on CD, that I promptly uploaded to my iPod. Since then, it has appropriately re-release and added to iTunes. Listening to it now is still cool and relevent, but in my opinion largely unanswered in Irish music in terms of pop funk flare.

In the band I am in, Celtic Cross, we have seven members, and seven die-hard fans of Stockton's Wing. On our new record Shores of America, we went into the studio to craft a funky irish tune set... and arrived at 22 which takes the dark traditional reel Musical Priest, slides a funk & hip-hop groove underneath... and then layers a haunting vocal by our singer (and my future blog-mate) Kathleen Fee. It is our twenty-first century tribute to a formative eighties LP...

P